19 May 2011 - Printing Series 1: Is lithographic printing dying out?
The 'death' of lithographic print has been hyped over the last couple of years. But I have to say, this is not my experience.
Never has there been such a diverse range of different kinds of lithographic printing available. With a fantastic range of recycled or FSC paper products and increasing creative print finishes on the market, the consumer is spoilt for choice.
If you require your repro to be 240 screen stochastic or an uncoated profiled 200 screen they are available at most leading printers. You can have a Carbon Neutral publication for your annual report or company brochure. The inks that are used are often vegetable based with modern pigments that make colour jump out. Waste is recycled, printing plates are turned into Aluminium cans.
There has been tremendous investment by many of the major players in the market. Park invested £3m in its lithographic printing presses three years ago and plans to invest again before the end of the year. It is unlikely that the investment would have been made if the future looked bleak for litho.
Of course there is a place for digital print. If you require 20 copies of a board report printed overnight then a Xerox type solution would suit your needs. If you need 200 copies of a fine art booklet printed in a day then Indigo would be the best solution. If your requirement is 500 copies of an annual report produced in 48 hours then you should consider litho. It is simply a case of horses for courses.
Of course, digital printing machines suffer from unreliability, and engineers can become regular visitors, but there are other problems. There is still the same lack of choice of papers as there was 5 years ago. They still can’t produce a high gloss or matt varnish, and are restricted in the size of sheet they can print on.
Inkjet technology perhaps provides some insight into the future of printing. There are now colour inkjet presses that can print double-sided four colours at 400 ft per minute with a print resolution up to 1200 x 600 dpi. This type of printing is currently being trialled within the publishing industry. I am sure with further investment and research this type of printing will form part of the future story.
In my view the future of printing is bright, be it litho or digital. We have seen our industry contract in size with only the leanest and brightest businesses succeeding.
We take pride in producing beautiful, accurate and cost-effective printed products and litho is still leading the way.
Richard Fingland works for Park Communications. Park provides a one-point-of-contact managed service to translate, print, distribute and store all of your literature.
Richard has been in the printing industry for 13 years, during which time he has worked on both aspects of Customer Services and Sales. He joined Park as an accomplished technical print production and Customer Service Executive, who in the last 6 years has taken a sales role. Richard account directs, secure Government, political and charity projects. He also specialises in high quality print for marketing.
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2 responses to this post:
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Mark Rivlin
25.05.11
Excellent piece; the key aspect to buying print is choosing the best option to fit the brief. What a creative agency like ours requires is a print supplier who can advise which Park does very well.
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Jamie Beer
25.05.11
A nice piece, says what I’ve been thinking for the last few years only in a nicer way.
I think that Ink Jet could well be the answer for longish run Mono which could hit the Mono Web market hard, but the quality will really need to improve on the colour for it to touch Litho. But it could threaten digital, as it is already doing in the variable data/colour market.
My biggest fear is what is going on with the paper industry and has this got the potential to seriously damage the British printing industry. We have no real paper mills and with China buying up a lot of the worlds pulp this will keep the prices rising. They are also planting trees who’s pulp will eventually flood the market, but because of Spain, France and Germany, (all have Paper Mills) they could vote to keep and probably increase the duty on any Chinese pulp purchased in the European union that will negate any advantage we could make use of.
Also publishers and printers seem obsessed with FSC and PEFC, this really annoys me as only a small proportion of the world’s forests are accredited and the carbon footprint on the pulp the paper is made from may well be enormous as the pulp could have come from South America. People need to be educated about using locally sourced pulp is very advantageous as demonstrated by leading recycling paper manufacturers. Most if not all paper mills use pulp from a sustainable/chain of custody sources. Whichever way you look at it there are very environmental alternatives to FSC and PEFC.
Thanks for the chance to vent.
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